Having just recently watched both versions back to back for the umpteenth time, I think it’s hands down for the earlier, longer, 1995 version. Read Next: ‘The Meg 2’ Finds Director in ‘Rebecca’ Filmmaker Ben Wheatley, Arnold Schwarzenegger in ‘Fantastic’ Condition Following Heart Surgery, ‘The Meg 2’ Finds Director in ‘Rebecca’ Filmmaker Ben Wheatley, ‘Bad Hair’ Star Chanté Adams Joins Michael B. Jordan in ‘Journal for Jordan’, Jerry Jeff Walker, Singer-Songwriter Known for ‘Mr. It was not true too Jane’s essence of Anne. BBC adaptations always add such a lot of character to the tale that I end up enjoying them a lot. Your lists are making me think I need more Austen retellings in my life. (Screenwriters, take note.) SanJose.com’s Review by Sean Conwell noted: Jane Austen’s novels are so noted for their insight into the manners and domestic proprieties of their age that it’s easy to forget how lively, indeed funny, her work is. Ciaran Hinds, although better weathered, looks too old to me. The acting is superb and the ending is fabulous. It was recently produced at Ross Valley Players, in Ross, California and Livermore Shakespeare Festival in Livermore, California. This could be that I felt emotions were more clearly expressed here.
After the matriarch dies under suspicious circumstances, the family turns to the civil court system to seek justice for her death. This really is a hard choice. I liked Anne from the 1995 version much better but didn’t really care for the Colonel in that one. My adaptation is probably the darkest of this group–it focuses on the loss of Anne/Amelia’s mother–but, of course, it has a happy ending. Full review available: http://www.sanjose.com/2013/04/10/persuasion_at_the_stage/, Artsalot “Review” and also “Standout New Production for 2013”. Oh, I so do agree with your comment. « cette impression de carnaval pousse Frederick et Anne à s'embrasser en pleine rue, d'une façon qui aurait paru particulièrement inconvenante à Jane Austen », Représentation de l'Angleterre georgienne chez Jane Austen, https://fr.wikipedia.org/w/index.php?title=Persuasion_(téléfilm,_1995)&oldid=168724903, Adaptation d'une œuvre de Jane Austen à la télévision, Article contenant un appel à traduction en anglais, Portail:Télévision française/Articles liés, Portail:Télévision britannique/Articles liés, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. You can also learn more by viewing the media kit, as well as some selections of production reviews below: Karen D’Souza of the San Jose Mercury News said of the adaptation: Slyly adapted by playwright Jennifer Le Blanc, “Persuasion” rings with Austen’s customary elegance and wit, the spirit of independent thinking that made her one of the greatest novelists of her day. 4 jewels out of 5 in the review tiara for an admirable adaptation and a night of period romantic drama and light comedy.
And honestly, book Anne was not flighty or as emotional as Hawkins’ version. Or Fanny est le diminutif de Frances, pas de Phoebe. No retelling can ever live up to the original, but, hopefully, it will remind readers of what they love about the original while introducing them to something new and worth reading for its own merits. After all, they are no longer a young couple by that time period’s standards. Books are her ultimate addiction. Elle ne l'a jamais oublié. I enjoy the cast a lot better and minus one scene near the end, it’s a better production, overall. Persuasion has rarely been the first of Austen's novels to travel into a new form of popular media, but it does appear to be the first of her stories turned erotica, with Roger Longrigg's Virtues and Vices: A Delectable Rondelet of Love and Lust in Edwardian Times (1980), a bawdy, comic retelling of Persuasion set a century after the original. Anne reste à Uppercross, chez sa plus jeune sœur, Mary, égoïste et hypocondriaque, mariée à Charles Musgrove. Have you watched “The Lizzie Bennet Diaries” m YouTube? Mais elle appréhende la venue imminente du frère de Mrs Croft, le capitaine Wentworth, son amour de jeunesse, auquel elle s'est laissée persuader de renoncer huit ans plus tôt par son amie Lady Russell. Years later, Kai returns with a new name, Captain Malakai Wentforth, and a new purpose: challenging the social order. Kelleher’s production enhances this with clever bits of staging, such as spinning parasols simulating turning wheels of a carriage or actors holding up a tablecloth to suggest a dining room table. Each one does fair justice to the source material and each one offers a deep level of emotion and great storytelling. Where did the Crofts go? Film and books are such different mediums that tell stories in different ways. Winner of the 2013 “Standout New Works Award” for its premiere production by the Silicon Valley Small Theatre Association. Hinds is OK. Refine See titles to watch instantly, titles you haven't rated, etc. production by the Silicon Valley Small Theatre Association. I don’t find him as compelling a presence as Root, but he’s good enough to make you think she might really fall for him all over again, which is enough for the mechanics of the film to work out.
I wish they also stayed true to the book towards the end.
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