I have put out so much music under that name by now that I guess people connect that with a specific sound. In addition to all the music you have to write for a movie, you need to be pretty technically well-versed in order for you to stay on top of a schedule like that, with different edits of the movie coming in all the time. What's not to like about giant octopus attacking San Francisco? Christoffer Franzén: I think most challenging was the sheer amount of music I wrote for it. I think it also helps to actually play some instruments, because that lets you get away from just using the computer, and you can add a unique touch to a score by imbuing it with your own performances, and that very fact provides it with an organic feel. © 19962020 Autotelics, LLC. I think one of the things the long post-process period gave us was the time to try out different approaches, and as we went along we found that a more minimalist approach worked the best. To contact Randall, email soundtraxrdl@gmail.com, Follow Musique Fantastique on Twitter at: To evade it, you dive but then the sub becomes ensnared on the bottom; fortunately, you break free. Not to be overlooked are the extensive liner notes detailing the creative history of each track, the numerous composers involved, and often times noting which other horror movies have borrowed them. It Came From Beneath The Sea is a classic from 1955 love watching these movies from the 50tys they were the best you can watch this movie in black&white or in color the Blu-ray is excellent. One of Harryhausen's weakest creature features but a fine Blu-ray, Reviewed in the United Kingdom on May 18, 2012. What's not to like about giant octopus attacking San Francisco? After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. It must be said that while the style of music is quite different than the modern horror movie music to which we're used, these scores are incredibly fun to listen to. There's a problem loading this menu right now. Q: How you would describe your score’s thematic or motivic construction and interaction? Faithful not only to those composers' works but also in recreating the sound and the miking techniques commonly used when recording soundtracks. The biggest problem is that most of the first hour is taken up with conversations, briefings and press conferences as the unseen object that damaged the Navy's latest nuclear sub is finally revealed to be a giant octopus drawn to the surface in search of food after becoming irradiated in a nuclear test and inadvertently warning off its natural prey. Simply put, it always sounds "off". Fun Ray Harryhausen science fiction film and a great DVD! It also analyzes reviews to verify trustworthiness. Reviewed in the United States on June 16, 2019. . I do think a lot of horror music tends to be using up a lot of the high-frequency spectrum, be it screechy violins or loud brass—a lot of the music in SEA FEVER occupies the lower end of the frequency spectrum, and I think that created a sense of something being off, whilst not having the music be in your face all the time, so to speak. Overall a nice package. To be safe, you and the two scientists wear protective suits while examining the specimen. His music has since been featured in multiple Hollywood trailers, Television Shows & commercials, and elsewhere. Released by Monstrous Movie Music in 1996 (MMM-1950) containing music from The Mole People (1956), It Came from Beneath the Sea (1955), Them! All rights reserved. ), and with this new, finely rendered color version it looks better than ever. For more information on Christoffer Franzén see www.lightsandmotion.com. (145) IMDb 6.0 1h 19min 2008 NR. Check out It Came from Beneath the Sea by The Mothmen on Amazon Music. . Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. Christoffer Franzén: I guess what I’m most known for is my solo-project which is called Lights & Motion, where I write (mostly) instrumental music and put out albums as an artist, and I’ve been doing that since 2013 when my first album was released. Travelling or based outside United States? Reviewed in the United States on March 27, 2014. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. It Came From Beneath The Sea. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. The acting is O.K. There are a couple of instances in this film where we turn up the music and let it bloom out in a more aggressive way, and that was a lot of fun too, but it happens just on a few occasions. . I think that tension is at the heart of it, and I think what we discovered was that you don’t necessarily have to go loud in order to create that. There is about one hour’s worth of music in the film, and probably close to two hours of material that we didn’t end up using on top of that, so it was very labor intense. It Came From Beneath the Sea, on the other hand, is almost all brass-heavy monster-on-the-loose (in this case a giant octopus) music. The film is a tense slow-burner, with nuanced characters and very much based in a reality, so all of this had to be reflected in the music. Reviewed in the United States on February 16, 2019. Quickly browse titles in our catalog based on the ones you have picked. It also analyzes reviews to verify trustworthiness. Love these older type movies. August 21, 2020 The Chilled Waters of SEA FEVER: An Interview with Composer Christoffer Franzén By Randall D. Larson The science fiction/horror film SEA FEVER is a co-production between Ireland, Sweden, Belgium, and the US and UK. Something I do know is that I am keen to keep on creating in whatever form it takes, and if I can do that together with other collaborative people then all the better. Just a good solid movie.. remember when it was made.. good effects for the time.. Q: What was most challenging for you in coming up with this score? But when Dr. Joyce removes her radiation suit, you are dazzled by the flash of her sultry dark eyes and momentarily forget about the specimen . It came from beneath the colorization process, Reviewed in the United States on May 5, 2008. This can be heard most prominently in the cue “Ciara.”. Later, an inspection of the sub's exterior finds a highly radioactive mass stuck to its surface. The extras are solid, with R.H. revealing more details about this film than he has previously. IT CAME FROM BENEATH THE SEA has always been a 50's monster staple, thanks to its wonderfully animated star (and Ken Tobey! Create a free website or blog at WordPress.com. Seeing as the world is going through a massive crisis at the moment, we will have to see what happens after that. Harryhausen's great stop-motion special effects are a highlight of the movie. The result is this roaring sound that, at least to me, feels like it’s coming from below and raising up, which I thought was an appropriate image for a creature that lives in the depths of the ocean. Then we have a minimalistic and clean theme played on the piano for our main character Siobhán, which is in contrast to all the other people on the boat and that gruff environment; she is a scientist and really belongs in a lab where she has control of everything, and that disconnect creates a lot of interesting drama. This page works best with JavaScript. Reviewed in the United States on October 20, 2020. An atomic submarine encounters an unknown object while on a shakedown cruise...a giant octopus, mutated by an H-bomb! Producers Kathleen Mayne and David Schecter are two people who understand this and have done something wonderful. What was most rewarding? Q: For many years you’ve had the opportunity to score film trailers. Your recently viewed items and featured recommendations, Select the department you want to search in, Reviewed in the United States on June 16, 2019. Christoffer Franzén: I think having worked for so many years as a professional composer and producer was instrumental in taking on a challenge like scoring feature films. and this film does have its moments (an octopus wraps itself around the Golden Gate Bridge). Good video quality. It immediately segues into the score for THEM!, one of the all time classic horror movies and still a prototype for modern monster movies such as Aliens and Tremors. When one hears the name "It came from beneath the Sea" one can only think of Harryhausen. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. The digital soundtrack album for the new science fiction/horror thriller SEA FEVER has been released by Deep Elm Records and is also available for download of streaming from these sources. There's a problem loading this menu right now. Another terrific highlight is the flamethrowers vs. the octopus scene, which again, really sparks in its colorized form. If any information appears to be missing from this page, contact us and let us know! The Beast From 20,000 Fathoms) were colorized as well. Love the color version. How did your score envelope all of these concepts? 100 years of Fantasy, Science Fiction, and Horror Film Music, The Chilled Waters of SEA FEVER: An Interview with Composer Christoffer Franzén. It Came from Beneath the Sea is a 1955 American black-and-white science fiction giant monster film from Columbia Pictures, produced by Sam Katzman and Charles Schneer, directed by Robert Gordon, that stars Kenneth Tobey, Faith Domergue, and Donald Curtis. It's a cool movie, don't miss it. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. A Columbia 50's Monster Flick in Color at Last! Christoffer Franzén: Neasa had a great vision for what she wanted the music to bring to the film from the start. Reviewed in the United States on March 13, 2020. The film premiered at the 2019 Toronto Film Festival last September, and debuted digitally from DUST, the popular… Stream ad-free or purchase CD's and MP3s now on Amazon.com. It came from beneath the colorization process, Reviewed in the United States on May 5, 2008. Your recently viewed items and featured recommendations, Select the department you want to search in. Q: What were your initial inclinations about the kind of music the film needed—or the director wanted—and how did that develop into the final score we hear in the movie? Many times when we get re-recordings of soundtracks, we're treated to someone else's interpretation of the work and usually a quick one off in the studio mixing. Sign in to see videos available to you. What a magnificent find this is. If you are Pete Mathews, you are the commander of a nuclear submarine. The Beast From 20,000 Fathoms) were colorized as well. Christoffer Franzén: I have actually just released a new Lights & Motion album last May 15th, called The Great Wide Open, which is very exciting. Reviewed in the United Kingdom on February 24, 2018, Reviewed in the United Kingdom on January 30, 2014. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. The pace quickens as the seek-and-destroy mission against the giant ants becomes the focus of the film. The film stars Connie Nielsen, Dougray Scott, and Hermione Corfield and is written and directed by Irish filmmaker Neasa Hardiman, (known for directing episodes of TV’s JESSICA JONES, HAPPY VALLEY, Z: The Beginning Of Everything, and others). How did you get started in that and how did that help lead you into scoring films yourself, in terms of gaining a reputation and getting experience in scoring visual storytelling? Wish more Harryhausen movies (e.g. Q: What are some of your favorite moments in the score—musical cues you felt really worked especially well? Both are included in this package, and you can even toggle between the two for comparisons. Vale for money for a rare DVD. Trying to find just the right tone for it was a challenge, but that very thing was also the most rewarding in that me and Neasa worked so closely together, and we really discovered it together. It also analyzes reviews to verify trustworthiness. The film premiered at the 2019 Toronto Film Festival last September, and debuted digitally from DUST, the popular multi-platform for binge watchable science fiction short films and other content from emerging filmmakers, last April.
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