Johnson does her best with the standard femme fatale role, and Schoenaerts is perfectly competent.
articles reveals himself to be a master craftsman.
Keeping Swinton away from his camera at first, Guadagnino finally gives us some breathtaking closeups of her face; given a new inscrutability with its slanted eye makeup.
arrival of Fiennes’ Harry, Marianne’s longtime friend and record producer,
A femme-driven cumming-of-ager with ripe dialogue, nudie montages and a feisty lead in Dakota Johnson. suggests otherwise, and “A Bigger Splash” allows Johnson to be both funnier and
Yet Marianne can’t help having feelings for him and a nostalgia for their past wild times.
Through a editing that articulates his declarations and thoughts in a flow of intense feelings, psychological ... See full summary ».
launch into their own romance—a decision he now regrets). Matthias Schoenaerts intelligently conveys the way Paul feels constrained by gratitude and good manners – Harry actually introduced him to Marianne.
A Bigger Splash has something of the erotic languor and implied daddy-daughter issues of Françoise Sagan’s Bonjour Tristesse – the complicated four-way nexus of desire even reminded me a little of Alan Hollinghurst’s novel The Spell. Imagine the self-obsessed bourgeois navel-gazing of Lawrence Kasdan’s The Big Chill distorted into a sun-kissed bacchanal. Star of the show, however, is definitely Swinton, who has very few lines (her character is supposed to refrain from speaking after a throat operation) but as she's in most scenes is required to get Marianne's opinions across through facial expression, miming, and sheer force of personality, which she manages splendidly.This is an engrossing film, with an interesting plot, good acting and lovely scenery (and not just of the countryside variety, either - all four leads get their kit off at some point, although I could have done with fewer such scenes from Mr Fiennes - he's in relatively good nick for a chap in his fifties, but things are starting to sag!) And Fiennes is outstanding in Harry’s two musical set pieces: an unstoppable action replay of how he produced Voodoo Lounge for the Rolling Stones, and a scene-stealing turn at a karaoke night. (2015). A Bigger Splash: clip featuring Ralph Fiennes and Tilda Swinton, Jacques Deray’s 1969 psychological thriller La Piscine. Lovers Marianne and Jean-Paul spend their vacation in a villa on the French Riviera near St-Tropez.
She insists she’s 22 although her impetuousness suggests otherwise, and “A Bigger Splash” allows Johnson to be both funnier and sexier than she was in “Fifty Shades of Grey.” The third act plot turn which blights La Piscine is beautifully handled in A Bigger Splash, with the picture’s operatic structure, along with Guadagnino’s irrepressible flair for high melodrama, amplifying the sensory impact.
Certificate 15 124m 21s, CastHarry Hawkes Ralph FiennesPenelope Lannier Dakota JohnsonPaul de Smedt Matthias SchoenaertsMarianne Lane Tilda SwintonMireille Aurore ClémentClara Elena BucciSylvie Lily McMenamyLa Mattina, police marshal Corrado Guzzanti, UK release date 12 February 2016Distributor Studiocanal Limiteda-bigger-splash.co.uk
boulders that surround it.
A Bigger Splash Artwork page for ‘A Bigger Splash’, David Hockney, 1967 on display at Tate Britain. LWLies Recommends, Review by Craig Williams even a silent orgasm, standing up) which only adds to her perpetually Flashbacks reveal that she commanded stadium-sized audiences and went for the androgynous persona and outré costumes of 70s David Bowie, combined with Mick Jagger’s stage swagger and Michael Stipe’s slash of colour across the eyes. As reimagined by Guadagnino and his writer David Kajganich, the story definitely does now contrast Harry’s Peter Pan-like refusal to grow up with Marianne’s need and desire for a quieter life, although the flashbacks are used to express her still-latent addiction to fast living. his landmark 2009 drama “I Am Love,” director Luca Guadagnino once again The book that Marianne is reading is "A Death in the Family" by James Agee. A modern cinematic opera – the sun-kissed bacchanal followed by the tempestuous comedown.
In fact, the 19th century poet proves to be a surprisingly pervasive influence; not only does the setting recall Villa Diodati, the mansion on Lake Geneva where Byron, fleeing from debt and rumour, holed up in 1816, but, just as Byron was the last of the Romantics, Harry himself feels like the last of their modern day iteration – a libertine from the age of the rock star. yet domesticated life Marianne and Paul have created for themselves, full of Hand-picked. Work with the band began with the filmmakers screening I Am Love (2009) for Mick Jagger and the rest of the band to introduce them to Luca Guadagnino's work. The trivia item below may give away important plot points.
insults and inappropriate come-ons. Their lives are turned upside down by the man who first introduced them to each other: Marianne’s former record producer/lover Harry (Ralph Fiennes), who shows up with next to no warning on a visit with his nubile, newly discovered daughter Penelope (Dakota Johnson) in tow. Harry breaks through all that, though—or
when she’s wearing nothing at all, which frequently is the case for all the A thriller it is not. Marianne (Tilda Swinton) is an ageing rock star who has lost her voice; she is recuperating from surgery to her throat, speaking only rarely in a hoarse whisper to protect her larynx. In one scene, Penelope mentions "La Mamma Morta" and "I am Love". Suspiria director Luca Guadagnino takes IMDb through his approach to filmmaking, from longtime collaborator Tilda Swinton, to why he hopes he doesn't have a "style.".
She now lives very happily with Paul (Matthias Schoenaerts), a sometime video cameraman who’s in remission from alcoholism after injuring himself in a car crash and spending time in rehab.
The book that Penelope is reading is "The Skin" by Curzio Malaparte.
The enigma that hangs over the whole thing is not so much what degree of guilt one of the characters bears for the pool death but rather why Guadagnino nicked the title of a gay David Hockney painting (and a Jack Hazan docudrama) for his remake. Jill Biden/Against Me!/Jon Theodore. Alternate Versions Their lives are turned upside down by the man who first introduced them to each other: Marianne’s former record producer/lover Harry (Ralph Fiennes), who shows up with next to no warning on a visit with his nubile, newly discovered daughter Penelope (Dakota Johnson) in tow.
The vacation of a famous rock star and her boyfriend in Italy is disrupted by the unexpected visit of an old friend and his daughter. She insists she’s 22 although her impetuousness
Now a member of a powerful industrial family, she is the respected mother of three, but feels unfulfilled.
But as darkness descends in the closing moments, finer points come into greater focus, culminating in a morally ambivalent epitaph for the modern Romantics; the bohemian rock stars and their libertine pretenders.
He has primed Penelope to ask Paul intrusive and insensitive questions about his alcoholism and the car crash, so the two visitors present a sustained assault on the couple’s secluded calm. An Italian movie crew goes to London to make a documentary about a murder case that took place a few years before. Ralph Fiennes’ dad-dancing in A Bigger Splash got us thinking about some other scene-stealing moves.
In the studio scene, Marianne is wearing a pair of Dior So Real sunglasses. With a special emphasis on Fiennes performance. stadium crowd. , Dakota Johnson exquisite star of “I Am Love.” She croaks out a whisper here and there (and Ralph Fiennes was also friendly with Jagger and the duo went on a pilgrimage to a Stones concert in Rome to pitch A Bigger Splash.
The swimming pool is a secular temple of near-nakedness, and sex perfumes everything like the tang of chlorine.
figure, after all—but Guadagnino’s use of zooms and pans suggests an homage
movie filled with strong and striking visuals: the sight of Fiennes in an → Access the digital edition Marianne Lane's sunglasses are an exclusive pair of Dior Futurist Palladium Mirrored sunglasses designed especially for the film. Tilda Swinton plays Marianne, a globally famous rock star currently in retreat from the madness of her world, happily vacationing with her partner, Paul (Matthias Schoenaerts), a would-be documentary film-maker.
The triangle tattoo on Paul's left inner arm is actually, This is the tenth collaboration between director.
Harry has shown up when he got to vamp it up as Voldemort. Harry is an old-style alpha male; a toxic narcissist and exhibitionist, bipolar without the down phase, unable to stop talking, hell-raising and getting his kit off for skinny dips in the pool. Guadagnino ratchets up
much less sing; she and Schoenaerts’ Paul, a photographer and documentarian,
LWLies 86: The Shirley Issue – On Sale Now!
Connections
Of course, the simmering and smouldering are heading one way, and another sort of movie might simply have concluded with the denouement. Some superbly juxtaposed wordless scenes take us from Marianne’s former life to her current situation and finally explain why they are happening in almost complete silence. Covers of this Spanish language standard have been made by many artists including a favorite and muse of Pedro Almodovar's, flamenco singer Concha Buika, who is featured singing at a party in Almodovar's "La piel que habito" ("The Skin I live in").
Guadagnino elegantly draws on influences from fact and fiction: Harry is a former acquaintance of the Rolling Stones and the movie refers to Brian Jones in an early interview scene. A splash has occurred in a swimming pool but with no figures included in the image it’s impossible to know who has caused this eruption, what has happened or where they are now.
lurid, sumptuous and startling, “A Bigger Splash” never goes where you expect, all as they bask and tangle in the sun and in and out of a swimming pool that A Bigger Splash (2016) is a remake of the French New Wave thriller La Piscine (1969) in the sense that the films have similar structures. presence and the confidence she exudes no matter what she’s wearing (or even Guadagnino, working from It’s implied that Harry may have brought along Penelope (who may not be his daughter; there hasn’t been a DNA test) specifically to offside Paul. But this gives us an intriguing, drawn-out coda in which a new layer of malign dysfunction is revealed. interrupts their reverie. themselves over the course of a seemingly idyllic vacation at a picturesque
For much of the film, we’re swept up in its intoxicating pre-coital rush. But then “A Bigger
While they are out mingling with the crowds at a local festival, Harry toe-curlingly insists on taking Marianne to a bar with a karaoke machine, dangerously forcing her to be on display, like a drug-dealer getting a former customer to tumble back off the wagon, exploiting her celebrity and feeding off it. ©2020 British Film Institute. The story begins to resemble something by Ruth Rendell, as filmed by Chabrol.
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